<?xml version="1.0" encoding="utf-8"?>
<!-- If you are running a bot please visit this policy page outlining rules you must respect. http://www.livejournal.com/bots/ -->
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:lj="http://www.livejournal.com">
  <id>urn:lj:livejournal.com:atom1:hopelessabandon</id>
  <title>hopelessabandon</title>
  <subtitle>pick a year and stick to it</subtitle>
  <author>
    <name>hopelessabandon</name>
  </author>
  <link rel="alternate" type="text/html" href="http://hopelessabandon.livejournal.com/"/>
  <link rel="self" type="text/xml" href="http://hopelessabandon.livejournal.com/data/atom"/>
  <updated>2009-12-17T14:14:12Z</updated>
  <lj:journal userid="2955939" username="hopelessabandon" type="personal"/>
  <link rel="service.feed" type="application/x.atom+xml" href="http://hopelessabandon.livejournal.com/data/atom" title="hopelessabandon"/>
  <link rel="hub" href="http://pubsubhubbub.appspot.com/"/>
  <entry>
    <id>urn:lj:livejournal.com:atom1:hopelessabandon:157857</id>
    <link rel="alternate" type="text/html" href="http://hopelessabandon.livejournal.com/157857.html"/>
    <link rel="self" type="text/xml" href="http://hopelessabandon.livejournal.com/data/atom/?itemid=157857"/>
    <title>pod people</title>
    <published>2008-02-10T22:09:20Z</published>
    <updated>2008-06-30T02:08:14Z</updated>
    <content type="html">heads up on a &lt;a href="http://alsolikelife.com/shooting/?p=230"&gt;podcast&lt;/a&gt; i recently recorded with &lt;a href="http://alsolikelife.com/shooting/?page_id=2"&gt;mr. kevin lee&lt;/a&gt; for his &lt;a href="http://alsolikelife.com/shooting/"&gt;&lt;i&gt;shooting down pictures&lt;/i&gt;&lt;/a&gt; series on maestro federico fellini's underrated 1984 film "and the ship sails on."&lt;br /&gt;i realize it's been a record-breaking amount of time since i last wrote anything here. my only words of advice for the new year, which i could have told the new england patriots: CHEATERS DON'T WIN.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:hopelessabandon:60615</id>
    <link rel="alternate" type="text/html" href="http://hopelessabandon.livejournal.com/60615.html"/>
    <link rel="self" type="text/xml" href="http://hopelessabandon.livejournal.com/data/atom/?itemid=60615"/>
    <title>reviews, articles, and interviews by michael joshua rowin</title>
    <published>2004-12-08T13:47:06Z</published>
    <updated>2009-12-17T14:14:12Z</updated>
    <content type="html">&lt;b&gt;brooklyn rail&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.thebrooklynrail.org/film/july04/losangeles.html"&gt;"los angeles plays itself"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thebrooklynrail.org/film/june04/rainer.html"&gt;yvonne rainer&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thebrooklynrail.org/film/april04/dogville.html"&gt;"dogville"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;cineaste&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.cineaste.com/321webxoldjoy.htm"&gt;"old joy"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;film comment book reviews&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.filmlinc.com/fcm/online/booksdogme.htm"&gt;"dogme uncut"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.filmlinc.com/fcm/online/booksca.htm"&gt;"identity and memory: the films of chantal akerman"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.filmlinc.com/fcm/online/fellinibook.htm"&gt;"i'm a born liar: a fellini lexicon"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.filmlinc.com/fcm/online/books70s.htm"&gt;"it don't worry me"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;film comment film reviews&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.filmlinc.com/fcm/online/reviewelbonarese.htm"&gt;"el bonaerense"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.filmlinc.com/fcm/online/reviewbubba.htm"&gt;"bubba ho-tep"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.filmlinc.org/fcm/online/reviewcasa.htm"&gt;"casa de los babys"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.filmlinc.com/fcm/online/reviewfreddy.htm"&gt;"freddy vs. jason"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.filmlinc.com/fcm/online/reviewladykillers.htm"&gt;"the ladykillers"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.filmlinc.com/fcm/online/reviewzero.htm"&gt;"zero day"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;indiewire&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/lets_rumble_jeffrey_levy-hintes_soul_power/"&gt;"soul power"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/chow_down_robert_kenners_food_inc/"&gt;"food, inc."&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/ticked_off_derick_martinis_lymelife/"&gt;"lymelife"&lt;/a&gt;&lt;br /&gt;&lt;a href="hhttp://www.indiewire.com/article/nostalgia_factory_christophe_barratiers_paris_36/"&gt;"paris 36"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/beyond_words_linas_phillips_great_speeches_from_a_dying_world"&gt;"great speeches from a dying world"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/scene_it_chiara_clementes_our_city_dreams"&gt;"our city dreams"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/give_up_the_ghost_milcho_manchevskis_shadows"&gt;"shadows"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/indiewire_critics_poll_08_michael_joshua_rowin/"&gt;2008 indiewire critics' poll ballot&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/travel_plans_nacho_vigalondos_timecrimes/"&gt;"timecrimes"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/review_fan-dumb_josh_kourys_we_are_wizards/"&gt;"we are wizards"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/review_the_other_side_of_the_fence_mark_hermans_the_boy_in_the_striped_paja/"&gt;"the boy in the striped pajamas"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/review_running_wild_christina_clausens_the_universe_of_keith_haring/"&gt;"the universe of keith haring"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/review_crash_landing_gonzalo_arijons_stranded_i_have_come_from_a_plane_that/"&gt;"stranded: i have come from a plane that crashed on the mountains"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/article/review_unanswerable_questions_koji_masutanis_virtual_jfk/"&gt;"virtual jfk: vietnam if jfk had lived"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/08/review_dite-moi.html"&gt;"i served the king of england"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/08/review_the_risi.html"&gt;"trouble the water"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/06/review_staged_c.html"&gt;"trumbo"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/06/review_paternit.html"&gt;"when did you last see your father?"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/06/review_fascist.html"&gt;"mongol"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/05/review_imagine.html"&gt;"the fall"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/04/review_growth_f.html"&gt;"young &amp; restless in china"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/04/review_strange.html"&gt;"stalags"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/03/review_wistful.html"&gt;"the cool school"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/03/review_over_the.html"&gt;"under the same moon"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/03/review_awinning.html"&gt;"war made easy: how presidents &amp; pundits keep spinning us to death"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/03/review_aural_ex.html"&gt;"paranoid park"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/02/interview_stree.html"&gt;"chop shop"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/02/review_soldier.html"&gt;"ezra"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/02/review_remote_l.html"&gt;"bab'aziz: the prince who contemplated his soul"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/01/review_draft_bo.html"&gt;"day zero"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2008/01/review_youve_go.html"&gt;"woman on the beach"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://ballot2007.indiewire.com/ballots/display_ballot/27"&gt;ballot for indiewire's '07 critics' poll&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/12/monkey_see_adam.html"&gt;"look"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/12/review_match_po.html"&gt;"arranged"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/11/review_mean_gir.html"&gt;"margot at the wedding"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/10/review_noble_ro.html"&gt;"music within"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/10/happy_trails_jo.html"&gt;"jimmy carter man from plains"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/10/iw_review_both.html"&gt;"lake of fire"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/08/review_brigham.html"&gt;"september dawn"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/08/review_panic_bu.html"&gt;"right at your door"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/08/review_dark_und.html"&gt;"summer '04"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/07/review_paint_by.html"&gt;"goya's ghosts"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/06/review_the_worl.html"&gt;"manufactured landscapes"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/06/review_crazier.html"&gt;"eagle vs. shark"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/06/review_domestic.html"&gt;"fido"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/05/frozen_assets_d.html"&gt;"l'iceberg"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/04/review_come_and.html"&gt;"red road"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/04/review_flame_ou.html"&gt;"jack smith and the destruction of atlantis"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/02/review_the_song.html"&gt;"amazing grace"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/02/review_echo_cha.html"&gt;"the decomposition of the soul"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/02/review_aftermat.html"&gt;"grbavica: land of my dreams"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/01/review_the_prin.html"&gt;"an unreasonable man"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/01/reverse_shots_t.html"&gt;best of the year '06: "clean"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2007/01/reverse_shots_1_1.html"&gt;worst of the year '06: "v for vendetta"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://ballot.indiewire.com/ballots/display_ballot/118"&gt;ballot for indiewire's '06 critics' poll&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/12/review_exit_wou.html"&gt;"home of the brave"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/11/review_gricultu.html"&gt;"our daily bread"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/11/review_peter_ca.html"&gt;"opal dream"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/11/review_a_millio.html"&gt;"iraq in fragments"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/10/borderline_eric.html"&gt;"the bridge"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/09/slaughter_rule.html"&gt;"the last king of scotland"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/09/nature_boys_kel.html"&gt;"old joy"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/08/deadlocked_ryan.html"&gt;"half nelson"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/06/2006_half-time.html"&gt;half-time '06: "battle in heaven"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/05/front_and_cente.html"&gt;"the war tapes"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/04/connect_the_dot.html"&gt;"4"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/02/anger_managemen.html"&gt;"our brand is crisis"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/02/tabula_rasa_rup.html"&gt;"unknown white male"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/01/the_dead_zone_e.html"&gt;"why we fight"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2006/01/reverse_shots_1.html"&gt;"me and you and everyone we know" (annoyance)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2005/12/a_view_to_a_kil.html"&gt;"cache"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2005/11/video_drone_tak.html"&gt;"marebito"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2005/10/three_extremes.html"&gt;"the dying gaul"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2005/11/wedding_crasher.html"&gt;"the syrian bride"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2005/10/growing_pains_l.html"&gt;"innocence"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/2005/09/foul_play_thoma.html"&gt;"dear wendy"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050831rev.html"&gt;"last days"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050809pretty.html"&gt;"pretty persuasion"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050628rev.html"&gt;"tropical malady"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050621yes.html"&gt;"yes"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050531high.html"&gt;"high tension"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050419save.html"&gt;"save the green planet"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050412palin.html"&gt;"palindromes"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050208varda.html"&gt;"cinemavardaphoto"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050222ten.html"&gt;"10 on ten"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050322oldboy.html"&gt;"oldboy"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050118she.html"&gt;"she's one of us"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_041207aqua.html"&gt;"the life aquatic"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_050104reverse.html"&gt;worst of the year '04: "the passion of the christ"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.indiewire.com/movies/movies_041228best.html"&gt;best of the year '04: "goodbye dragon inn" and "crimson gold"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;the l magazine&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/3/24/Film/feature15.cfm"&gt;best of '05&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/4/25/Film/Film5.cfm?ctype=2"&gt;best of '06&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/29/Film/feature13.cfm?ctype=2"&gt;best of '07&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/you-me-and-duplass/Content?oid=1199691"&gt;"humpday"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/TheMeasure/archives/2009/06/30/get-your-reps-the-case-for-israel"&gt;"the case for israel"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/point-break-goes-to-iraq/Content?oid=1195346"&gt;"point break" goes to iraq&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/urge-overkill/Content?oid=1194427"&gt;"the hurt locker"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/afterbirth-of-a-nation/Content?oid=1191236"&gt;"rebirth of a nation"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/new-yorks-new-mega-stadiums-are-built-for-everything-except-baseball/Content?oid=1191219"&gt;new york's new mega-stadiums are built for everything except baseball&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/munyurangabo/Content?oid=1180045"&gt;"munyurangabo"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/tom-tom-all-grown-up/Content?oid=1175430"&gt;"tom, tom," all grown up&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/memento/Content?oid=1173846"&gt;"summer hours"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/adoration/Content?oid=1151638"&gt;"adoration"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/migrating-forms-festival/Content?oid=1147151"&gt;migrating forms festival&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/TheMeasure/archives/2009/04/14/hot-times-at-cold-shea"&gt;"hot times" at cold shea&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/tulpan/Content?oid=1147104"&gt;"tulpan"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-feature/Content?oid=1147050"&gt;"the feature"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-passion-of-genius/Content?oid=1146960"&gt;the films of carl th. dreyer&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/dillinger-is-dead-1969/Content?oid=1142718"&gt;"dillinger is dead"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/two-lovers/Content?oid=1142648"&gt;"two lovers"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/of-time-and-the-city/Content?oid=1142611"&gt;"of time and the city"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/mock-up-on-mu/Content?oid=1142559"&gt;"mock up on mu"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/Home"&gt;"revolutionary road"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/Home"&gt;"wendy and lucy"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/Home"&gt;"the end of america"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/31/Film/film03.cfm?ctype=2"&gt;mapping a journey: the films &amp; videos of robert frank&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/30/Film/feature1.cfm?ctype=2"&gt;"synecdoche, new york"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/29/Film/feature2.cfm?ctype=2"&gt;"return to the scene of the crime"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/28/Film/feature1.cfm?ctype=2"&gt;"ashes of time (redux)"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/6/27/Film/film01.cfm?ctype=2"&gt;"silent light"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-white-negro-2008-remix/Content?oid=1142501"&gt;the white negro (2008 remix)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-man-from-london/Content?oid=1142510"&gt;"the man from london"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-pool/Content?oid=1142412"&gt;"the pool"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/sukiyaki-western-django/Content?oid=1140452"&gt;"sukiyaki western django"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/pros-vs-joes/Content?oid=1140401"&gt;"the pineapple express" and "tropic thunder"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-order-of-myths/Content?oid=1140324"&gt;"the order of myths"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-exiles-1961/Content?oid=1140272"&gt;"the exiles"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/game-theory/Content?oid=1140247"&gt;game theory: how we turn sports into stories&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-wackness/Content?oid=1140229"&gt;"the wackness"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/razzle-dazzle-the-lost-world/Content?oid=1140164"&gt;"razzle dazzle: the lost world"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/encounters-at-the-end-of-the-world/Content?oid=1140112"&gt;"encounters at the end of the world"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-wedding-director/Content?oid=1140072"&gt;"the wedding director"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://67.59.184.41/6/14/Film/film04.cfm?ctype=2"&gt;"bigger, stronger, faster*"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/12/Film/feature1.cfm?ctype=2"&gt;godard's 60s and 1968: an international perspective&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/redbelt/Content?oid=1139872"&gt;"red belt"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/10/Film/feature1.cfm?ctype=2"&gt;"forgetting sarah marshall"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/9/Film/feature3.cfm?ctype=2"&gt;"body of war"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/lmag_blog/blog/post__03310804.cfm"&gt;the mets and the movies&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/8/Film/feature8.cfm?ctype=2"&gt;"the saragossa manuscript"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/6/Film/feature.cfm?ctype=2"&gt;"funny games"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/5/Film/feature2.cfm?ctype=2"&gt;"snow angels"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/diary-of-the-dead/Content?oid=1139435"&gt;"diary of the dead"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/3/Film/feayure4.cfm?ctype=2"&gt;"the witnesses"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/6/2/Film/feature7.cfm?ctype=2"&gt;"last year at marienbad"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/cassandras-dream/Content?oid=1139290"&gt;"cassandra's dream"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/4/15/Film/film1.cfm"&gt;"the descent"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/sorry-haters/Content?oid=1135770"&gt;"sorry, haters"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/commune/Content?oid=1137162"&gt;"commune"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/4/23/Film/film2.cfm"&gt;"our daily bread"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/who-killed-the-electric-car/Content?oid=1136435"&gt;"who killed the electric car?"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/why-we-fight/Content?oid=1135560"&gt;"why we fight"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/le-monde-vivant-le-pont-des-arts/Content?oid=1135559"&gt;"le monde vivant" and "le pont des arts"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/13/Film/feature1.cfm"&gt;"a mighty heart"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/when-the-sea-rises/Content?oid=1135495"&gt;"paradise now"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/just-like-heaven/Content?oid=1134999"&gt;"just like heaven"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/4/18/Film/film5.cfm"&gt;"al franken: god spoke"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/shooting-magpies/Content?oid=1135240"&gt;"shooting magpies"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-omen/Content?oid=1136349"&gt;"the omen"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-naked-civil-servant/Content?oid=1138317"&gt;"the naked civil servant" dvd&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/4/13/Film/review10.cfm"&gt;"clean" dvd&lt;/a&gt;&lt;br /&gt;&lt;a href="http://67.59.184.41/5/18/Film/feature1.cfm"&gt;"zebraman"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/15/Film/feature1.cfm"&gt;"interview"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/4/9/Film/dvdreviews2.cfm?ctype=2"&gt;"the intruder" dvd&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/no-restraint/Content?oid=1137436"&gt;"no restraint"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/drawing-restraint-9/Content?oid=1135928"&gt;"drawing restraint 9"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/4/8/Film/newinfilm7.cfm"&gt;"lady vengeance"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/4/2/Film/feature4.cfm"&gt;"the ister"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/a-scanner-darkly/Content?oid=1136508"&gt;"a scanner darkly"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-oh-in-ohio/Content?oid=1136520"&gt;"the oh in ohio"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/iraq-in-fragments/Content?oid=1137223"&gt;"iraq in fragments"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/fast-food-nation/Content?oid=1137201"&gt;"fast food nation"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/lake-of-fire/Content?oid=1138992"&gt;"lake of fire"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/yes/Content?oid=1134690"&gt;"yes"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/keane/Content?oid=1134965"&gt;"keane"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/26/Film/feature4.cfm?ctype=2"&gt;"southland tales"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/25/Film/feature1.cfm?ctype=2"&gt;"shadows of our forgotten ancestors"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/sweet-land/Content?oid=1137081"&gt;"sweet land"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/24/Film/feature2.cfm"&gt;"we own the night"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/21/Film/feature9.cfm"&gt;"my brother's wedding"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/flanders/Content?oid=1138131"&gt;"flanders"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/index2.cfm?search1=NYFF%202007"&gt;"no country for old men"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/syriana/Content?oid=1135323"&gt;"syriana"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://67.59.184.41/5/17/Film/feature6.cfm"&gt;"colossal youth"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/dans-paris/Content?oid=1138657"&gt;"dans paris"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/walking-to-werner/Content?oid=1138594"&gt;"walking to werner"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/tropical-genius/Content?oid=1137987"&gt;the mistress &amp; the muse: the films of norman mailer&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-mistress-and-the-muse-the-films-of-norman-mailer/Content?oid=1138576"&gt;the mistress &amp; the muse: the films of norman mailer&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/5/27/Film/feature4.cfm?ctype=2"&gt;"it is fine. everything is fine!"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/the-inner-life-of-martin-frost/Content?oid=1138826"&gt;"the inner life of martin frost"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/29/Film/feature6.cfm?ctype=2"&gt;"berlin alexanderplatz" dvd&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/28/Film/feature1.cfm?ctype=2"&gt;"youth without youth"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/21/Film/feature1.cfm?ctype=2"&gt;"eastern promises"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/land-of-plenty/Content?oid=1135112"&gt;"land of plenty"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/hard-candy/Content?oid=1136022"&gt;"hard candy"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/sir-no-sir/Content?oid=1136025"&gt;"sir! no sir!"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/when-the-sea-rises/Content?oid=1135495"&gt;"when the sea rises"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/3/24/Film/feature5.cfm"&gt;"kill the poor"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/5/1/Film/feature4.cfm?ctype=2"&gt;"china blue"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/v-for-vendetta/Content?oid=1135842"&gt;"v for vendetta"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/beyond-honor/Content?oid=1135860"&gt;"beyond honor"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/4/14/Film/newinfilm1.cfm"&gt;"lady in the water"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/battle-in-heaven/Content?oid=1135693"&gt;"battle in heaven"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/memoirs-of-a-geisha/Content?oid=1135370"&gt;"memoirs of a geisha"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/4/2/Film/feature1.cfm"&gt;"what the bleep do we know?"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/pretty-persuasion/Content?oid=1134856"&gt;"pretty persuasion"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/going-shopping/Content?oid=1135054"&gt;"going shopping"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/3-rooms-of-melancholia/Content?oid=1134810"&gt;"3 rooms of melancholia"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/saving-shiloh/Content?oid=1136179"&gt;"saving siloh"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.thelmagazine.com/newyork/film-preview-the-essay-question/Content?oid=1135275"&gt;"the producers" (preview)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://thelmagazine.com/5/7/feature/feature2.cfm?ctype=1"&gt;"syndromes and a century"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;moving image source&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.movingimagesource.us/articles/flashes-of-brilliance-20090611"&gt;flashes of brilliance: a brief history of the flicker film&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.movingimagesource.us/articles/caught-on-camera-20090421"&gt;caught on camera: the photographic investigations of "blow-up" and "(nostalgia)"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;reverse shot&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/girlfriend_experience"&gt;"the girlfriend experience"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/brothers_bloom"&gt;"the brothers bloom"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/i_love_you_man_and_apatow_comedy_factory"&gt;bromicide&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/interview_ramin_bahrani"&gt;ramin bahrani interview&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/frontier_dawn"&gt;"frontier of dawn"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/lithuania_and_collapse_ussr"&gt;"lithuania and the collapse u.s.s.r."&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/made_usa"&gt;"made in u.s.a."&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/amarcord"&gt;"amarcord"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/betrayal"&gt;"the betrayal"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/w"&gt;"w"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/che"&gt;"che"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/afterschool"&gt;"afterschool"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/night_and_day"&gt;"night and day"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/gomorrah"&gt;"gomorrah"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/class"&gt;"the class"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/daughter_nile"&gt;"daughter of the nile"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/mister_foe"&gt;"mister foe"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/elegy"&gt;"elegy"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/human_condition"&gt;"the human condition"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/battle_haditha"&gt;"battle for haditha"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/water_lilies"&gt;"water lilies"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/reverse_shot_snow_angels"&gt;"snow angels"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/dont_look_back"&gt;"dont look back"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/reverse_shots_11_offenses_2007"&gt;worst of the year '07: "southland tales" and "the kingdom"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/best_2007"&gt;best of the year '07: "no country for old men"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/nanking"&gt;"nanking"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/last_days_1"&gt;"last days"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/lions_for_lambs"&gt;"lions for lambs"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/persepolis"&gt;"persepolis"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/no_country_for_old_men"&gt;"no country for old men"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/the_axe_in_the_attic"&gt;"the axe in the attic"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/silent_light"&gt;"silent light"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/the_darjeeling_limited"&gt;"the darjeeling limited"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/avant_garde_2_experimental_cinema_1928_1954"&gt;"avant-garde 2: experimental cinema 1928-1954" dvd&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/lady_chatterley"&gt;"lady chatterley"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/reverse_shot_day_night_day_night"&gt;"day night day night"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/strong_waynes_world_strong"&gt;"wayne's world"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/strong_an_interview_with_andrea_arnold_strong"&gt;andrea arnold interview&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/maxed_out"&gt;"maxed out"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/zodiac"&gt;"zodiac"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/the_number_23"&gt;"the number 23"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/what_is_it"&gt;"what is it?"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/days_of_glory"&gt;"days of glory"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/but_what_about"&gt;"battle in heaven" (but what about . . .)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/rivette_out_1_volume_1"&gt;"out 1" (vol. 1, in collaboration with james crawford)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/rivette_out_1_volume_2"&gt;"out 1" (vol. 2, in collaboration with james crawford)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/rivette_paris"&gt;"paris belongs to us"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/hi_mom_depalma"&gt;"hi, mom!"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/insiang"&gt;"insiang"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/interview_david_lynch"&gt;david lynch interview&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/inland_empire"&gt;"inland empire"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/nyff_bamako"&gt;"bamako"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/journals_knud_rasmussen"&gt;"the journals of knud rasmussen"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/mizoguchi_ugetsu"&gt;"ugetsu"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/mulholland_drive"&gt;"mulholland drive"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/targets"&gt;"targets"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/article/dela_llana_ian_gamazon"&gt;neill dela llana and ian gamazon interview&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/winter06/newreleases/heartisdeceitful.html"&gt;"the heart is deceitful above all things"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/winter06/jordan/michaelcollins2.html"&gt;"michael collins"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/winter06/yearinreview/8.html"&gt;best of the year '05: "the squid and the whale"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/winter06/boynton.html"&gt;rachel boynton interview&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/autumn05/symposium/jfk.html"&gt;"jfk"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/autumn05/nyff/sympathy.html"&gt;"lady vengeance"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/dvd/autumn05/avant.html"&gt;"avant-garde: experimental cinema of the 1920s &amp; 1930s"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/autumn05/newreleasess/everything.html"&gt;"everything is illuminated"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/autumn05/newreleasess/threeextremes.html"&gt;"three . . . extremes"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/dogdays05/stranger.html"&gt;"stranger than paradise"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/legacy/summer05/oldboykill.html"&gt;"old boy"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/spring05/village.html"&gt;"the village"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/spring05/napoleon.html"&gt;"napoleon dynamite"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/spring05/topten.html"&gt;best of the year '04: "dogville"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/winter04/saraband.html"&gt;"saraband"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/winter04/world.html"&gt;"the world"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/winter04/notremusique.html"&gt;"notre musique"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/autumn04/despair.html"&gt;"despair"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/autumn04/gozu.html"&gt;"gozu"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/summer04/sunsetrowin.html"&gt;"before sunset"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/summer04/waking.html"&gt;"waking life"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/spring04/winter.html"&gt;"winter light"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/spring04/eternalrowin.html"&gt;"eternal sunshine of the spotless mind"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/janfeb04/cornell.html"&gt;the cinema of joseph cornell&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/janfeb04/six.html"&gt;best of the year '03: "demonlover"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.reverseshot.com/janfeb04/2cents.html#news"&gt;brakhage obit&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;reverseblog&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/the_year_ken_jacobs/"&gt;the end of the year of ken jacobs&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/017200.html"&gt;"les carabiniers"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/017160.html"&gt;"pierrot le fou"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/013150.html"&gt;new york underground film festival report: poems and problems, head rush (shorts program)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/013138.html"&gt;new york underground film festival report: welcome to normal (shorts program)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/013137.html"&gt;new york underground film festival report: "paterson-lodz," "the sky song"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/013127.html"&gt;new york underground film festival report: natural high (shorts program)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/013109.html"&gt;new york underground film festival report: "i'm keith hernandez"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/013097.html"&gt;new york underground film festival report: "viva"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/012557.html"&gt;"demon seed," "lucifer rising," "performance," and "what is it?"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/012479.html"&gt;"the good shepard," "the comedy of power," and "the pied piper"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/012095.html"&gt;"take the money and run"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://blogs.indiewire.com/reverseshot/archives/012079.html"&gt;"another woman"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;senses of cinema&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.sensesofcinema.com/contents/04/32/coffee_and_cigarettes.html"&gt;"coffee and cigarettes"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;stop smiling&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1221"&gt;"the limits of control"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1221"&gt;"sugar"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1197"&gt;mapping a journey: robert frank&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1189"&gt;"waltz with bashir"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1151"&gt;new york film festival '08 dispatch&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1149"&gt;"miracle at st. anna"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1111"&gt;"the dark knight"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1072"&gt;"operation filmmaker"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1053"&gt;"speed racer"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1061"&gt;"indiana jones and the kingdom of the crystal skull"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1026"&gt;the films of sergei paradjanov (dvd)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1019"&gt;"shine a light"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=1004"&gt;"funny games"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=983"&gt;"be kind rewind"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=963"&gt;"cloverfield"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=957"&gt;"chameleon street" dvd&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=922"&gt;"i'm not there"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=895"&gt;"blade runner"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://stopsmilingonline.com/story_detail.php?id=856"&gt;the mistress &amp; the muse: the films of norman mailer&lt;/a&gt;&lt;br /&gt;&lt;a href="http://stopsmilingonline.com/story_detail.php?id=854"&gt;"sunshine"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=848"&gt;"sicko"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=842"&gt;"the boss of it all"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=741"&gt;the wim wenders collection: volume 2&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=722"&gt;"children of men"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=710"&gt;"a wedding" (altman tribute)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=687"&gt;will oldham interview&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=655"&gt;kelly reichardt interview&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=651"&gt;"the black dahlia"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=586"&gt;michael haneke dvd box set&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=565"&gt;"vidas secas"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=498"&gt;"sins of the fleshapoids"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=494"&gt;"why we fight"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=478"&gt;mike kuchar interview&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=455"&gt;"classe tous risques"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.stopsmilingonline.com/story_detail.php?id=430"&gt;"the man who fell to earth"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;time out chicago&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.timeout.com/chicago/article/19082/credit-risk"&gt;james scurlock interview&lt;/a&gt;</content>
  </entry>
</feed>
